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With Silverstack Lab just coming out, I did NOT expect them to have the time to offer me a useable solution. They sent me a custom build within 2 days that fixed the issues for me and got me through the end of the feature I was working on without further incident. I found a few bugs in LiveGrade and emailed them 3 weeks ago. Hey Matt, make sure to email Pomfort's support. Am I safer reverting back to Silverstack 5 from my offloading/dailies transcoding on this next project? I’m supposed to start a new 6-week feature on Tuesday and now I'm not feeling comfortable to use Silverstack Lab again.Īnyone know what the problem could be on those transcodes? Silverstack lab is still only a few months old. Source is set to Debayer and Default (GPU). We were transcoding 3.2K ProRes camera originals from an Arri Amira and an Alexa Mini to ProRes 422LT 1920x1080 editorial proxies. I don’t know the specs on the other DIT’s computer. I have a Late 2015 5k Retina 25-inch iMac with a 4 GHZ Intel Core i7 Processor, 16 GBs of Ram, and an AMD Radeon R9 M390 2048mb processor. The other DIT and myself both used the same Silverstack license, project file, and transcode preset - but we used different computers, both iMacs. Sometimes it’s green rectangles (I've attached an image) and sometime’s it’s a green flash that covers the entire screen. I just got a message from post that some of both of our editorial transcodes have green artifacts in them (the artifacts flash for a frame or two). I worked the second half of the feature and another DIT worked the first half. I'll see you next Sunday with fresh content.I just finished a feature as a DIT on which I used Silverstack Lab (version 6.0.2) for the first time. If you've been thinking about a similar purchase for similar reasons, I figured you'd appreciate hearing about my initial experience. But since I hope to keep this machine in production for at least 4 years, I think it was a decent purchase, even if it incurs the ever-present ' Apple tax.' I'm unsure if I could have gotten away with the less expensive 16-core GPU. As I push the controls, the scopes look like they're directly connected to my hands. The few extra millisecond delays are gone. I am happy to report that I'm not disappointed. So, I ended up spending a little extra on the 19-core GPU on the M2 Pro silicon. Unfortunately, you've got to pick the right GPU at purchase because you're going to live with it for its lifetime. That enclosure was the only gear that made the previous Mac Mini useful for software scopes.Īfter seeing how well the Mac Studio M1 Ultra works (with internal GPUs only), I took a chance on the new MacMini M2. When considering the new MacMini, I was worried about the lack of support for eGPU enclosures on Apple Silicon machines. It was an annoyance that seemed to come and go. I set mine up with an external GPU enclosure, but I always felt there was a barely perceptible lag between my physical inputs on the control surface and the visual update on the scopes. I was never thrilled with the last round of Intel MacMinis. Here's one bit of fresh content: I've spent the past week refreshing my computers, including a new assist station that hosts software scopes. My weekend is occupied catching up on other matters, so I'll return next Sunday with an all-fresh edition. This is a re-send of last week's Newsletter. Given their screen ages, one might imagine that Popeye, Olive Oyl, and Betty Boop as children were members of either the Bands of Mercy, the Jack London Clubs, or both. The American Humane Education Society formed 265,000 affiliates called Bands of Mercy in grade school classrooms, and brought 750,000 teenagers into Jack London Clubs. (Photo courtesy of granddaughter Evangeline Olive Morris.) Were Popeye, Olive Oyl, & Betty Boop members of a Band of Mercy?īegun by Massachusetts SPCA founder George Angell himself, the American Humane Education Society was guided after Angell died 1909 by Francis Rowley, his successor as president of both organizations. Rivers Barnwell of the American Humane Education Society with the Pontiac (1926-1932 vintage) that he drove on his rounds throughout Texas and adjoining states. The Fleischer brothersĪll four characters were originated and drawn primarily by Max Fleischer, directed by his younger brother Dave Fleischer, neither of whom, nor any of their family, had any other known involvement in animal advocacy.īoth brothers, born in 18, respectively, were already middle-aged and established pioneers of animated film production by the time the characters Popeye, Olive Oyl, Betty Boop, and Grampy turned their concerns toward animals.īetty Boop, who debuted as a poodle in 1930 before metamorphizing into a teenaged girl, and Popeye and Olive Oyl, debuting on screen in a 1933 Betty Boop cartoon, were already established box office favorites, often out-drawing Mickey Mouse, whose debut had come in Steamboat Willie (1928).į. To what extent Popeye, Olive Oyl, Betty Boop, and Grampy were influential on behalf of animals, however, or should have been, or should be now, can be debated. The Betty Boop cartoon Be Human, released on Novemand initially a smash hit, was out of distribution for several decades due to ownership and copyright issues, but has also aired practically continuously since it was re-released in 1977, coincidentally just as the contemporary animal rights movement gained momentum. The Popeye cartoon Be Kind to Aminals has been aired somewhere more-or-less continuously since it debuted on February 22, 1935. There can be no doubt of their popularity, both in the midst of the Great Depression and today. All you need is a hammer and they work for every kind of frame and wall.Max Fleischer & Betty Boop, mid-1930s. The unique shape provides an amazing flexibility and they can be mounted fast and easy even if the surface is really tough. Our bold wall hook is developed in Sweden and works with every type of framed art and walls used for art and photos. The clips are 32 mm for our smaller posters and 57 mm for the bigger ones. 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The Zinio Magazine Reader gives you all the content you are used to along with the beautiful design you want. Free zinio reader for windows 10 download software at UpdateStar - Zinio Reader is a magazines reader to be used with Zinio service. Two years later, she was honoured by Unicef for her work on slave labour and the exploitation of Mexican girls entrapped in agricultural work camps in southern California. Within a year, Hernández had broken a scandal about the extravagance with which the winning presidential candidate, Vicente Fox, had decorated his personal accommodation using public funds – while campaigning on a ticket of economic austerity. When Mr Hernández was murdered, Anabel Hernández's resolve to nurture her craft – fearless of, and without illusions about, the establishment – was deepened by the outrage. The police in Mexico City said they would investigate only if they were paid the family refused, figuring – as sometimes happens – that the police would take the money without taking any action. But in December of that year, she found herself personally caught up in the murky crossover between state and criminals when her father was kidnapped: a crime the family believes to have been unconnected to his daughter's work. The rules of drug trafficking that Anabel Hernández describes are also the rules of capitalism."īy the year 2000, Anabel Hernández had made a name for herself in Mexican journalism, on the daily paper Reforma. Because it is not the mafia that has transformed itself into a modern capitalist enterprise, it is capitalism that has transformed itself into a mafia. Two writers in particular have been pioneering the struggle to counter this untruth: one is Hernández, and the other is Roberto Saviano – author of Gomorrah, about the Camorra of Naples – who writes in a foreword to Hernández's English edition: " Narcoland shows how contemporary capitalism is in no position to renounce the mafia. Hernández's book will be published in English this month with the title Narcoland: The Mexican Drug Lords and their Godfathers, so that we in the English-speaking world that consumes so much of what the cartels deal, and which banks their proceeds, might learn the lie of "cops and robbers", of "upright society versus the mafia" – the received wisdom that still contaminates coverage of drug wars and the "war on drugs". They know the government is lying, they don't carry their heads in the clouds." They do not believe the government are good guys, fighting the cartels. The wildfire interest delivers a clear message, says Hernández: "So many Mexicans do not believe the official version of this war. The success is impossible to overstate, a staggering figure for a non-fiction book in a country with indices of income and literacy incomparable to the American-European book-buying market. Her further sin against the establishment and cartels was that the book became, and remains, a bestseller: more than 100,000 copies sold in Mexico. But there have been other books about this bloodletting what made Los Señores del Narco different was its relentless narrative linking the syndicate that has driven much of the violence – the Sinaloa cartel, the biggest criminal organisation in the world – to the leadership of the Mexican state. Hernández's offence was to write a book about the drug cartels that have wrought carnage across Mexico, taking some 80,000 lives, leaving a further 20,000 unaccounted for – and forging a new form of 21st-century warfare. And during that time the threats had continued: one afternoon last June, Hernández opened her front door to find decapitated animals in a box on the doorstep. But this was no robbery no one tried to use any of the credit cards – it was pure intimidation, aimed at my family, and at me." It was more than a year before the authorities began looking for the assailants. "Pointing rifles at my family, walking round the room – and taking wallets from people. It hardly ever happens."Īnabel Hernández had to leave early, as so often, "to finish an article", and it was after she left that gunmen burst in. There are so many of us that it's extremely difficult to get everybody together in one place. As one of the country's leading journalists who rarely allows herself time off, she was especially happy because "the entire family was there. The gathering was to celebrate the birthday of Anabel's niece. D uring January 2011, Anabel Hernández's extended family held a party at a favourite cafe in the north of Mexico City. In 2020, Innocent was included in a group show at Columbia University for Beyond the Bars: Freedom Plans. In 2019, Innocent's second solo exhibition took place in October 2019 at 526 East 11th Street, New York. The flag included text such as text like NO RACISM, NO SEXISM, NO ABLEISM, NO FATPHOBIA, NO AGEISM, NO TRANSPHOBIA, NO HOMOPHOBIA, and NO HATEFULNESS. An attempt to reimagine the American flag. In 2018, Innocent released American Flag 2017. Innocent likes to studies words and read books on his free time. It feature Innocent's drawing as a child. Innocent authored his first artist book titled 39 Drawings in 2017. According to Innocent, the work aims to reclaim the importance of every vote. In September 2016, Innocent collaborated with ]'s photographer Alex Wong to create an "unofficial campaign poster" for Donald Trump with the phrase "Ego Maniac" added. His first notable solo exhibition, Wall 2016, took place in Brooklyn in 2016. The designs featured inscribed messages such as "JASON INNOCENT 2012", DEAD IN THE WATER, THE WICKED NEVER REST, WOUND ITCH WHEN THEY HEAL” and “LOST COME FOUNDED ME. Innocent began spraying street graffiti writings on buildings in Lower Manhattan. Burroughs, Jean-Michel Basquiat and Marcel Duchamp. Innocent became interested in art at an early age and was influenced by the works of William S. Innocent attended Murry Bergtraum High School and later graduated from Medgar Evers College. Innocent was born and raised in Prospect Lefferts Gardens, Brooklyn, New York City, on January 7, 1995. Its emulator for running Intel-based software wasn’t yet compatible with 64-bit Intel apps, but that’s changed. The version of Windows for ARM64 available in April was the issue. That made the preview a non-starter for a lot of modern productivity software for Windows, which had long assumed that current PCs used 64-bit processors and the corresponding version of Windows. After installing the preview of the ARM64 Windows 10, you could run 32-bit Intel and ARM apps 64-bit ARM apps but not 64-bit Intel apps. When the preview version of what became Parallels 17 was released last spring, it brought both promise and frustration. I tried to get id Software’s “Doom Eternal” to run on both Intel and M1 systems, and it crashed on startup both times. You’re better off with 2D games, and many games that require additional graphics software just won’t run. Microsoft has suspended that for now, but Parallels includes a virtual TPM 2.0 chip if necessary.Īnd while no serious gamer is going to consider using Parallels to run state-of-the-art titles, this version does include an improved graphics driver and better performance for Microsoft’s DirectX. It runs the Windows 11 Preview just as well as Windows 10, and those who set up that virtual machine won’t have to worry about the need for a TPM 2.0 chip that was originally part of the requirements. The Intel version can run literally dozens of different virtual machines – 10 versions of Windows and Windows Server, as well as Boot Camp 11 versions of macOS, including the upcoming macOS 12 Montery and eight distros of Linux officially, though a Parallels spokesperson told me that it will run four more unofficially. Even Windows 10 and 11 Preview boot times are snappy, certainly faster than booting up a real Windows PC. From a cold start, in which the app must launch as well as the virtual machine, it’s about double that to resume, but that’s still pretty impressive. On my Intel iMac, Parallels 17 gets very close to instantaneous suspend and resume times, with three seconds to suspend and just two seconds to resume, when Parallels is running. It works so well, you can even suspend the guest operating system while it’s doing something as critical as applying a software update without doing harm. When they need to work on it again, they just resume it, and the virtual machine wakes up in the same state as before. This takes the current state of the machine running in the host Mac’s memory and saves it to disk (or an SSD). One of the things many Parallel users do frequently is suspend a virtual machine, rather than shutting it down, when they are no longer using it. That’s true on the Intel side for Parallels 17, though I’d have to say that version 16 was pretty damned zippy. With each annual release, Parallels is touted as being faster than the previous year’s version. With humor and expert insight woven throughout, this fun and enjoyable text will give you a solid grounding in maternal-neonatal nursing care and concepts. 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Perry Publisher: Elsevier Health Sciences ISBN: 0323479219 Size: 72.70 MB Format: PDF, Mobi View: 3254 Get Book Disclaimer: This site does not store any files on its server.We only index and link to content provided by other sites. ly converting to MIDI with a custom setting, Jacques Menu, 6 Re: The problem of Lilypond changing instrument and the issue of.ly converting to MIDI with a custom setting, ly converting to MIDI with a custom setting, H. ly converting to MIDI with a custom setting, Eef Weenink, 3 ly converting to MIDI with a custom setting, 柊希里子, 3 The problem of Lilypond changing instrument and the issue of.ideal_piano_example.įor a better explanation of my tiny example, I create a Git repository,, if my description has any unclear parts please let me know I’ll try to explain each step more clearly as possible. I've done the few annotations by manually going through steps 1~4, now I want to automate the full workflow, the target annotation example is put in the directory. Using the MIDI and original XML file, I can use my python script to get each note’s information, specifically, the attribute I want is listed below: The output file has 2 formats PDF and MIDI, the filename called: `1_Bach_Prelude1_replace.mid` and `1_Bach_Prelude1_replace.pdf` Then use the lilypond command “ lilypond -dmidi-extension=mid MyFile.ly ” to convert the. 1_Bach_Prelude1.ly`, then output the file named just add the `_replace` afterward, like: `1_Bach_Prelude1_replace.ly` The steps 2 and 3 I wrote a python code to replace the tempo and want to change the instrument clef, see the attachment “replace_tempo.py”.Ĭommand example: `python replace_tempo.py -path. ly file, eliminate all the tempo expressions, and set the tempo to BPM=60.įor the same reason as 2nd step, this step aims to get a more stable note duration. ly file, convert the instrument into Violin or Cello, no matter what kind of instrument the score was originally made for, because the String instrument will get a more stable note duration of MIDI file than the Woodwind or Piano. Such as -nd, do not convert directions (^, _ or -) for articulations, dynamics, etc.Ĭommand example : musicxml2ly -v -nd -midi -output="1_Bach_Prelude1.ly". Ideally, I want to eliminate all the decorations, like accent, staccato, any kind of ornament, and tempo-related _expression_. I don't believe anyone is taking offense to this post but just in case.My workflow is needed to be an automation script, cause I want to create a tool to generate the annotation of each note automatically. One of the best things about Dorico is the ease of keyboard-only inputs and shortcuts, which appeals to people who like the efficiency of software like LilyPond and Mup. Dorico is, in my opinion, the best offering as of now, and my money is on that horse to succeed over the competition. r/musicengravingtips is pretty dead.Įdit: I want to be clear that I'm not claiming that text-based is superior. Not sure if there is another subreddit that would like to see this. The naturals in beat 2 are a tad close to eachother, and the dots on the dotted eighths in beat 4 do not line up vertically, but I think that treatment is still acceptable per Behind Bars guidance on dotted notes in different voices. The only adjustments were some tweaking of the positions of dynamic marks and rests to match the original which is scored densely.Īnother example is inspired by this Reddit thread. Here is an example of the engraving, using Debussy's Prelude IV "Les sons et le parfums tournent dans l'air du soir", as this was used in this Reddit thread for comparison of some other notation programs. Despite these downsides, I think at least any Lilypond advocate owes it to themselves to give Mup a try. The major downside is that there is limited output to MIDI, PDF output is only possible through conversion from PostScript (using Ghostscript), and there is no MusicXML output at this time, although this has been requested on their Github. The output quality is very high, and can hold its own against other paid programs, especially when you consider that it's free. I think the input style and parameters are less verbose than Lilypond. I have dabbled with Lilypond/Frescobaldi and I believe that Mup is almost as powerful. The input is text-based, and is naturally the analogue to Lilypond. Mup has been developed by Arkkra Enterprises since 1995, and is still in active development today. It is included in Linux distributions, although I use Windows, it's also available for Mac. I started using it in 2008 when a license was just $29 it became free and open-source in 2012. I've gotten back into score writing and I've been comparing the modern Dorico to a much lesser-known (essentially unknown) program called Mup (stands for Music Publication program). |